
eMego321 / Jung An Tagen
Revenge of the Speaker People
- 1. 01-RSP-OTO
- 2. 02-RSP-MIX
- 3. 03-RSP-MIX
- 4. 04-RSP-OTO
- 5. 05-RSP-OTO
- 6. 06-RSP-MIX
- 7. 07-RSP-MIX
- 8. 08-RSP-OTO
- 9. 09-RSP-OTO
- 10. 10-RSP-MIX
- 11. 11-RSP-MIX
- 12. 12-RSP-OTO
- 13. 13-RSP-OTO
- 14. 14-RSP-MIX
- 15. 15-RSP-MIX
- 16. 16-RSP-OTO
- 17. 17-RSP-OTO
- 18. 18-RSP-MIX
- 19. 19-RSP-MIX
- 20. 20-RSP-OTO
- 21. Juster Renormification
- 22. 3pyt2_ext2_1 Remix
- 23. Gunja Gun Ten
- 24. 10-RSP-MIX (Nervoso RMX)
- 25. SilenceandReorderedRemoved19Stems
- 26. Open Focus
- 27. Kimabebe RMX
- 28. Reversible
- 29. OTO
- 30. Dimitry Bubble Sequence
- 31. Bang Bang *15
In 1978, at the University of London, the Physicist David T. Kemp made an unusual discovery. Kemp noticed that faint sounds, known as Otoacoustic emissions (OAEs), revealed the existence of the cochlear amplifier, a mechanism responsible for sound sensitivity and frequency resolution. This discovery proved that the ear is an active rather than passive organ.
Following this discovery the experimental music world embraced these findings by incorporating them into sound works. Maryanne Amacher was a notable early pioneer of this technique resulting in large scale sound works, the likes of which audiences had never encountered prior. Since these early explorations the use of OAEs has spread more widely in the experimental music landscape, notably by Editions Mego artists Florian Hecker and Marcus Schmickler.
“I believe the kick of techno can be an agent to shapeshift sounds and infiltrate settings” - Jung An Tagen
Stefan Juster aka Jung An Tagen is known for conceptual works and has a large back catalogue of intriguing ideas and sounds. Revenge of the Speaker People is another adventurous release, one which takes the Otoacoustic discoveries of David T. Kemp and applies them to a techno framework. OAEs are fragile and can collapse quickly when combined with other elements. Jung An Tagen’s success in combining OAEs with beats is therefore quite an achievement, without precedent.
The first CD comprises the results of Juster’s experiments, resulting in some of the strangest techno committed to digital since the initial burst of the Mego label. A series of head spinning, ear tickling extreme electronic miniatures bleed in a continuous form. This adventurous and playful music would likely have many a raver run to the bathroom. There is a tangible subversive delight in mixing in such sounds to what is ostensibly ‘club music’.
Because the record had this clear divide of beat + otoacoustics the idea came to see how the material would lend itself to a series of remixes. The second CD has remix contributions from a selection of artists from the Editions Mego stable alongside Juster’s own ETAT imprint along with DJ Nervoso from the Príncipe crew. The results are a headspinning variety of Otoacoustic mayhem as the likes of Evol, Thomas Brinkman, Ellan Phan, Nik Colk Void and others fold these initial bizarre sounds into even more twisted shapes. Revenge of the Speaker People is a daring, playful and audacious release. One that will baffle your ears, neighbours and dancefloor clients.